Entries tagged ‘Anchor’
In the spring of 2012, eight students at North Carolina State University’s College of Design participated in a new course to curate, edit, design and publish The Student Publication, a journal that reports on important issues in the field of design. While they had the support of Dean Marvin Malecha, FAIA and were guided by the expertise of Assistant Professor Tania Allen, the students (Michael Carbaugh, Dwight Davis, Eric Flood, Anna Gonzales, Craig Maxwell, Rebekah Zabarsky, and Leigh Anne Zeitouni) managed every aspect of the project including selecting and inviting contributors, authoring content, designing the publication and managing its promotion. The result, Volume 35: Transformation: New perspectives on design methods and processes, was printed and released this fall.
Assistant Professor Allen was asked how building a course around the well-established publication enhanced the students’ learning experience. She explained that a dedicated course provided time and space for students to sit, think and discuss the strengths and weaknesses of a potential topic and whether it merited an entire issue.Continue reading...
If you happened by the FontFeed recently, you’ll find an interview with Process Type Foundry partners Eric Olson and Nicole Dotin by Yves Peters. Go ahead, read the words. Sometimes, though, we just want to ogle the pictures. Here are photos from the interview along with extended annotations, outtakes and some extras.
Eric and Nicole standing in the doorway of the Process Type Foundry studio.
It’s 2012 already but before we say goodbye to 2011 entirely, there were tidbits from the last 365 we don’t want to forget. And while we’re at it, we’ve included a preview of typefaces slated for release in the New Year.
Seattle Met, a magazine covering the local scene in Seattle, WA, has been using Anchor and Bryant Compressed since May, when designer André Mora came on board. But it was for the summery July issue, with its focus on farms, foraging and other foodie adventures that Mora paired Anchor with the agile Capucine, named after the French word for the Nasturtium flower.
As the newest addition to our family of typefaces, it’s great to see Capucine being put to use here in a way that showcases its flexibility, from display headlines to captions.
See more photos of Capucine in use here.
We’ve converted five more of our typefaces into webfonts. Now you can license Anchor, Kettler, Locator Display, Maple and the much-requested Stratum 1 & 2 for use with the CSS rule @font-face. For a one-time fee, you can serve the delivered WOFFs and EOTs yourself or host the fonts through Typekit. For a quick overview of our webfont option, read Webfonts with @font-face, finally!.
Anchor is our new four-weight family of round display gothics designed for maneuvering in especially cramped quarters. With weights ranging from Medium to Black, Anchor promises plump over-indulgence in the heavy weights and relatively sober display capabilities in the lighter weights. Of note are Anchor’s inflated arrows that can be seen throughout the specimens on this site. Available exclusively at the Process Type Foundry.
See the Anchor typeface family and learn all the details about our latest release.