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Entries tagged ‘New Releases’

15
Mar
2017

New Release: Moniker

CM_Moniker

We’re excited to announce our latest typeface, Moniker by Eric Olson. Moniker is a rounded sans serif that captures the informal tone of the genre while maintaining a sensible workhorse mentality. The family is made up of five weights with lively italics, and with features like small caps and multiple numeral styles, the fonts can take on the small (tables and text) and big (headlines and logos).

Moniker is available for desktop, webfont and app licenses. And it’s offered in full and basic versions. The basic version has a smaller character set — and price so you can start there and always upgrade later.

Desktop: SpecimenSpecsPurchase Options
Web: SpecimenSpecsPurchase Options



13
Dec
2016

More Elena, More Control

elena-blog5

Elena, designed by Nicole Dotin, has doubled in size with two new weights. Adding to the Regular and Bold, a Light and Medium bring a twist of variability to this modern serif typeface. The new styles form a trio of text weights – rather than follow a traditional linear weight model – and serve as lighter and heavier gradations of the Regular. These new fonts are designed to offer finer control over page color, hierarchy, and type pairings.

Originally released in 2011, Elena was made for extended reading. It has since found its way into every medium, from books to blogs, and even the popular reading app Instapaper. This release expands on that mission, reaffirming its commitment to text that’s meant to be read.

As before, the fonts are offered in Full and Basic versions. The Basic has a smaller character set — and price so it’s a good way to test the family before you dive into all of its features. And if you’ve previously licensed Elena, you can upgrade without paying for what you already bought, whether that was a single style or family. Learn more about how to upgrade.

Desktop: SpecimenSpecsPurchase Options
Web: SpecimenSpecsPurchase Options



4
Mar
2015

New Release: Scandia & Scandia Line

Sample specimen of Scandia & Scandia Line

We’re excited to announce the release of two new typefaces, Scandia and Scandia Line. Although they’re siblings deep down, their differences are more apparent than their similarities. Designed first, Scandia Line is a skeletal sans serif made entirely without curves. Scandia came next, taking Line’s circular proportions but abandoning the all-angle policy for generous curves instead.

Each family has four weights with Scandia offering corresponding italics. As if that weren’t enough, Scandia and Scandia Line also include a stencil variant and several alternates for added versatility. The family’s matching proportions make them a perfect typographic pair but their distinct personalities allow them to function nicely on their own.

Available now, you can license Scandia and Scandia Line in web and desktop formats. For more about each family, visit their respective pages or take a look at their PDF specimens.

Scandia: Desktop SpecsWeb Specs • Specimen PDF
Scandia Line: Desktop SpecsWeb SpecsSpecimen PDF



25
Jul
2014

New Release: Pique

It’s summer here in Minneapolis and we’re celebrating with our newest release Pique! Combining the energetic elements of a brush script with the cool rationalization of digital beziers, Pique is a single weight display face overflowing with typographic personality. Available in both desktop and webfont formats.



13
Nov
2012

New Release: Klavika Display

New Release: Klavika Display

Customers have asked and we’ve always agreed – why doesn’t Klavika have a Black weight? Or an Extra Light? Good questions. Those lead us to wonder, what about an Ultra Black or a Thin as well? Why not fully explore the weight range, expand on the original and add something new? Sounds like the start of a great project!

And with that, Klavika Display was born. Available in four weights – Thin, Extra Light, Black and Ultra Black – and two widths – Standard and Condensed – the family is an addition to the existing Klavika and Klavika Condensed families. Although designed as en extension of the original series, Klavika Display works equally well on its own as a boastful display font. Singles, packs and the complete family are available in both desktop and webfont formats.



10
May
2012

Chrono meet Colfax

In our hearts, Chrono will always be called Chrono. However, we inadvertently crossed paths with another similarly named font and decided the name needed to change. So Chrono,
meet Colfax!

Residents of the Twin Cities will recognize the name Colfax as one of our city’s leafy, mostly residential streets. Consequently, it runs directly parallel to Bryant, another street-turned-font-name in our hands.

Already licensed Chrono?
There’s nothing you need to do except note the name change. You’ll still be able to upgrade to larger packages or add additional licenses but under the new name Colfax instead.

Similarly, Typekit users with Chrono already loaded in their library don’t need to make changes either. The fonts will function the same and the name won’t change to Colfax unless you republish your kit. If you’re using the default CSS selector (tk-chrono-web), this will still work after republishing, too.

We’re always on hand to answer questions, just get in touch.



6
Mar
2012

New Release: Colfax

Colfax

We’re pleased to announce the release of our new typeface Colfax. At home within a range of design environments, Colfax is a refined oval sans serif of twelve styles ranging from Thin to Black with matching italics for each. Singles, packs and the complete family are available in both desktop and webfont formats.

Colfax was formerly named Chrono.



10
Nov
2011

Meet the Stack

The stack

It took me five years to develop Elena. During that time, my constant companion was what we have taken to calling ‘the stack.’ Standing roughly a foot tall, the stack is a chronological collection of laser prints used to test Elena.

Sadly, after a couple of studio moves, the current stack only dates back to 2009. Luckily, 2006, ’07 and ’08 are somewhere. Test documents never get thrown away, only stored absentmindedly awaiting future serendipitous discovery.

The stack - abc's

Long hours were consumed poring over each and every test document to continually refine the typeface. Some tests are set in stone like the archetypal ‘a b c’ run through. Others are created on the fly to test a particular character, language or typographic convention. Sometimes, they’re just gibberish.

The stack - punctuation

The stack - gibberish

Whatever happens to the stack in the end (shoved into a box and stored in the basement?), it’s a tangible testament to the effort and thought process of a typeface.
ND