Posts tagged “In use”
Pasted is a collage app, from James Mercer of The Shins and Zeke Howard and Ben Fogarty of The Brigade, a design studio in Portland. It’s an inventive tool that lets you mask photos, add filters, and layer graphics to make artwork. After creating their logo with Scandia Stencil, they expanded the concept into a full alphabet pack, so you can paste the two-tone letters into your collage and they’ll react to the filters. It’s always fun to see our fonts used in creative ways — if you’re ever interested in licensing for a mobile app, just get in touch.
“Stencil fonts feel like they have a unique place in collage art. As a result, Scandia really felt right. It’s almost like some of the geometric stickers were used to assemble the logo.”—Ben Fogarty
A couple of Pique things turned up at once so here we are. Check out Nicole Dotin’s typeface in use for an important NYC Health campaign and then watch two videos about its design. While we’re at it, go ahead and take 10% off any license of Pique offered on the site until end-of-day Friday, August 4th (that’s the ‘week’ in Pique Week). Just use the coupon code ‘piqueweek’ at checkout.
In Use: Bare it All
Thanks to Quentin Schmerber for tipping us off to this NYC campaign, after spotting Pique on the subway. “Bare it All” encourages LGBTQ patients to have open discussions with their doctors. And to spread the message, Pique boldly sweeps in across black and white images in print ads and their video.
— Demetre Daskalakis (@DrDemetre) July 20, 2017
How was it made?
In the latest Fontribute video, Erin McLaughlin and Thomas Jockin deconstruct and discuss Pique and Lokal Script in some detail.
After watching the video, Nicole picked up her brush marker to (re)construct Pique and show how the marker underpins the design.
To learn more about Pique, visit Pique’s page. #piqueweek
Tengbom, a Scandinavian architectural firm, has a new visual identity and it’s full of Scandia. Developed by Oscar Liedgren Studio, the branding takes full advantage of our latest typeface and also features a new style — Scandia Light Stencil.
Scandia was released with just one stencil font, but Liedgren thought a second, lighter weight would carry them even further. He came to us after creating Tengbom’s new logo, based on Scandia Regular, and worked with Eric Olson to design the custom font. Since there was always potential for more stencil weights, we’re glad they asked.
No doubt stencils and architecture have an affinity for each other. Liedgren was keenly aware of the relationship but after surveying the competition, he found it wasn’t as common as he imagined. In the end, their use of stencils accent Tengbom’s own design work, adding a nice level of detail across print and web.
‘I think type in the context of identity can help you either to “belong” to a world (like that of architecture) or “stand apart”,’ Liedgren explained via email. ‘Both are valid strategies and need to be seen in the light of all other graphic elements and imagery at hand. In the end, what makes it work or not, is in the detail, in the craft, and in the way it’s applied.’